Tags: illustration

faery

Dusk + Down: the beginning of an ACEO journey

This is my very first ACEO (Art Cards, Editions and Originals) image. I only truly learned about this art movement rather recently, although I had some knowledge of ATC (Artist Trading Cards) which are essentially the same except for the fact that ATCs cannot be sold, only traded. In keeping with the requirements of ACEOs, this drawing is 2.5" x 3.5" meaning that the full size image on your screen is bigger than the actual piece. This drawing actually began in black ballpoint pen while I was contorted in the seat of a plane on my way to Mexico.

The title is inspired by the color palette and by the texture of soft feathers. Perhaps the figure is Freyja with Her falcon cloak? He or She was not very forthcoming with His/Her identity.

I think ACEOs will prove to be a true blessing for me at this point in my hectic life. Long periods without art-making cause me to feel as if some integral part of my soul begins to slip away, and numbness begins to bleed in from the edges - I start to become someone other than myself. While I have not had the time to produce larger images, the small format (and thus portability) of ACEOs have opened up a portal for me to more easily incorporate my art in my schedule. They are pages from a Book of Hours of my own devising.

The original, one-of-a-kind Dusk + Down ACEO is currently up for sale. I am also offering prints of this piece through deviantART.

Size: 2.5" x 3.5"
Media: black ballpoint pen, Prismacolor colored pencils, watercolor, acrylics, sumi ink
faery

All Underneath the Eildon Tree


I was contacted a sort while ago by Aranea/Drema of If... Journal with the prospect of illustrating the cover image for the July 2007 issue on the potent topic of Spiritual Transformation. She presented me with three visually evocative ideas:
"Either:
the face of a person, the face appearing worn, slightly off-color or
sickly, peeling away (like an apple peeling, reminiscent of the
Escher sketch?) to reveal the same face beneath, but clean, shining,
healthy and glowing
Or
a face peeling away to reveal the same face beneath, but the face
that is peeling away is all black and white, while the face being
revealed is all full color
Or
a person's face with their hand reaching up to pull away the outer
face as if it were a mask (same with coloration and imagery above,
but pulling away a "mask" instead of peeling it away)."
She also suggested perhaps a background of butterflies. The imagery in all of the options was definitely appealing and I intended to stick to those ideas fairly closely. I was a bit strapped for time, so I had decided to take a straight forward approach and depict exactly what was suggested in my own style. Actually, I chose to accept the commission in the first place due to the tight deadline. It had been too long since I had the luxury to make a piece like this, and I knew the time constraints would prove a great impetus to complete such a work.

Somehow along the way though the image became much more personal. The idea of the removal of a mask or the shedding of a worn skin morphed into the semblance of dry and crackling leaves being torn away by the wind. The leaves necessitated a tree, and that tree became one with thorns (representing the fact that spiritual transformation rarely comes without pain and/or sacrifice). "It should be a hawthorn tree," I thought to myself.

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Media: Prismacolor colored pencils, watercolor, acrylic, sumi-e ink, pen & ink
Size: approximately 8.5" x 11"
copyright Desirée Isphording 2007 - all rights reserved -