This creature appeared in the margins of a notebook some time ago and decided he wanted to make his way into a more refined piece. I began this picture last year, and I nearly forgot about him until rediscovering him tucked into a pad of drawing paper after moving into my first apartment, which seems entirely fitting. He seems to delight in obscurity and even now after completing the piece, I cannot say I know a great deal more about him that when he first appeared as a simple pen sketch.
What I do know is this: He possesses keys to all the doors that ever were (and never were), including those subtle, metaphysical ones. His collection includes keys to rooms in buildings which have been demolished decades ago, keys to rusty vehicles moldering on the junk heap, keys to gates that no longer guard anything at all, and tiny keys to diaries whose pages have long since been torn out and burned away. No door, no portal is ever truly gone, he tells me.
In this image, his fingers originally grazed the key to the doorway between life and death, but we thought the depiction was a bit too literal. Now, petals from the flower of the Dogwood tree (Cornus florida) dance before his grasp. Evidently each petal represents one of his profound riddles - he reminds me that not all keys can be held.
Media: Prismacolor colored pencils, watercolor, acrylic, sumi ink, ink, collage (for the dogwood petals and flower)